Saturday, 14 July 2018

Just me and my sketchbook

My wife couldn’t come away with me to Southwold this year (a quite coastal town on the east coast of England) so I had four days on my own in a lovely little cottage right in the middle of town, next to the lighthouse.  I decided to use this short period as a “retreat” both for drawing and Christian reflection (don’t worry, I won’t write about the latter here!).

I had just bought a new sketch stool and had all my supplies in a small rucksack.  The weather for once was fantastic for the whole period so I was able to be out morning and afternoon sketching in this extremely picturesque little town and its coastal surroundings.

On the Sunday morning I went to the 11th century Parish Church of St Edmund and then drew one of the many “greens” in the town, with the lighthouse visible behind a row of cottages.





Then later in the day I went out to another part of town and drew “South Green”



This is a double-spread in my Moleskine watercolour notebook of course.  It was glorious sitting in the sun doing all the details of this interesting view.

The next morning I went back to the old church to try to do a church interior (Stephanie Bower is so good at these) and I wanted to see if I use her approach to this complex scene. Unfortunately I couldn’t!  Its come out a bit messy and confused but at least I learned some tips for next time.




As a bonus, a pianist came in to the church to do his practice and it turned out that this was no ordinary pianist but a concert-level musician who played Liszt’s etudes while I was painting – what an experience to be sitting in the ancient church with these sounds washing over me.

Later in the day I went down to the little ferry (one man and row-boat!) across a river to cross over to the little village Walberswick where there was so much to draw – here is one of three I drew there.



After that I went home and after a short rest went out to the local pub where I had a pint or two of the local Adnams ales sitting outside on a bench in the sun and reading a paper.

The next morning I went back to the church and tried to do the entrance from outside in the church yard with local people passing by all the time and trying to glance at what I was doing.



Above the doorway you can see a statue of St Edmund the Martyr who was tied up by invading Vikings and then shot with arrows and beheaded.  Poor Edmund!

Back to the harbour again and couple another river scene



Then on the way back to my cottage I sketched “Gun Hill” with its row of cannons



In the evening after another couple of Adnams ales I went back and sketched the view from the window my my little house with the lighthouse again visible behind cottages.



And that my friends was what I did with four days on my own in the delightful little town.  I will finish with just one more sketch

Monday, 11 June 2018

A change from buildings

After a few weeks of painting landscapes and buildings I felt the need to try something else. So what better than to tackle a reproduction of an ancient masterpiece? Boticelli's painting of Simonetta Vespucci caught my eye when it arrived on my phone via the Daily Art app (do get it if you haven't already) and I thought I would try to paint it in watercolour.  

Known for her beauty, poor Simonetta died from TB at the age of 22 but before then featured in several well-known paintings of the era.


After that, then what better than a bit of wildlife? Whenever we visit our son and his family in South London, I am always thrilled to see bright green parakeets flying around in the trees. Nobody is certain how these beautiful birds came to be established in London but they seemed to be escapees from captivity who manged to establish a breeding colony in the suburb of Twickenham. Now spread all over the London area and beyond, they are a joyful contrast to our usual sparrows and pigeons.

I used some Schminke granulation medium on the background - a first for me. Both these paintings are in my new Seawhite large spiral-bound sketchbook with 300gsm paper in it. The paper has a unique texture.



After a walk around the nearby town of Eastbourne, these old shops caught my eye and before long I was back to drawing one of my detailed buiding pictures yet again.



Saturday, 5 May 2018

Crossing the Pyrennees

I have been watching a series of programmes on BBC about people who escaped from German Prisoner of War camps (in World War II) and then had to travel immense distance, often across mountain ranges, in order to get home.  We have heard of people who had to travel down through Italy and crossing the Dolomites, others for whom the Alps were their greatest challenge, but this week I watched an episode about the freedom trail across the Pyrennees from France into Spain (the Spanish never joined with Hitler and so were neutral territory).

I have been across the Pyrennees myself but in a car and remember the long and winding road running alongside deep chasms with views of long ranges of mountain peaks.  What forbidding country it is.  Anyway,  I felt inspired to seek out a scene I could paint of this spectacular countryside and soon found one on the website of Collett's Mountain Holidays.  Here is my painting, followed by the photograph on which it is based. 



On gentler territory, the fine weather we have had this week encouraged me to paint from a photograph I took a couple of years ago of two women walking on Lullington Nature Reserve, near where I live in East Sussex.


This is so typical of the countryside around here - chalky paths crossing gently rolling hills, always with white cliffs and blue sea in the distance.  I hope these two enjoyed their walk on the South Downs Way - they seemed to sum the easy companionship of two walkers on a fine morning, in no hurry to get anywhere.



Saturday, 21 April 2018

Pixabay as a useful source of images

I'm loving Pixabay which is a huge resource of photographs which can be reused for any purposes you want with no copyright or royalty issues.  It says in the Pixabay FAQ,

You can copy, modify, distribute, and use the images, even for commercial purposes, all without asking for permission or giving credits to the artist.

I never think copyright is much of an issue anyway when using photographs for paintings, especially as in my case, you never sell them.  Whenever I've used "Internet-found" photographs I've usually based my paintings on several images and grabbed bits which I like where I can find them.  The SAA support my view by stating on their website

You won't infringe copyright if you use someone else's work for private research or study - so you can copy a photograph, a picture from a book, or a painting by another artist, whether you're working at home, at your local art dub or visiting a gallery.  However, if you decide to exhibit, publish or sell that painting, you are then benefiting financially, so would need to seek permission from the artist or photographer who owns the copyright. If you want to copy a famous work of art or sculpture, you won't infringe copyright if the artist who did the original has been dead for more than 70 years"
Anyway, here is a painting I based on a Pixabay image - its Ivar's fish restaurant in Seattle (I am grateful to @helloheidilh on Instagram for identifying it as the Pixabay image didn't reference the exact location.






Friday, 13 April 2018

The bridge at Ronda, Spain

Still watching the BBC TV series Great Continental Railway Journeys with Michael Portillo which I've got stored up for watching at my leisure. The episode on Southern Spain was full of images which you could paint if you wanted to - the flamenco dancer dancing with a specially trained  Andalusian horse, the fair in Cordoba, the wonderful buildings in Seville.

However, this bridge in Ronda grabbed my attention first and so I had to have a go at it.  The first job was to do a drawing.


Not too bad, but then I had to work out how on earth to tackle those cliffs!  I painted them first with a loose wash, varying the colours from Raw Sienna to Raw Umber with bits of Alizarin Crimson and French Ultramarine to give some variety.  After that it was just a matter of adding more layers to bring some definition into it.  I don't usually work into a painting like this but with this one it was never just going to work with only one layer of paint.


I'm reasonably pleased with the result but if I was to do it again I would try not to put so much detail in the cliffs as they could be a little overdone. 

Here is a photograph of the bridge from a different position



Wednesday, 21 March 2018

Recent work

One of my favourite television programmes is Michael Portillo's Great Continental Railway Journeys, in which each week he travels through a European country by train, stopping off at various places to see what the place is like and to meet various interesting people.  This week the journey was through the little-known country of Georgia but last week we were in the Ukraine, a fascinating place with several different culture exhibited as you travel north to south.

I find that my watching the programme on catch-up on the computer, I can pause when I see a paintable scene and capture the image with Windows Snipping tool. I then print off the "photo" and do a sketch of it - here is St Sophia's Orthodox cathedral in Kiev.


I don't paint many still-lifes but was inspired by looking at our "Pebble" tea-pot to set one up on the dining table and have a go.  With the addition of a Denbigh cup and saucer and a box of jasmine tea I think it came out well enough - its a very small painting - sketchbook size..


Finally, here are a couple more doorways, both based on photos I found on Instagram (with the photographer's permission!).






Wednesday, 21 February 2018

Pen and ink

Its been fun revisiting memories of France and it wonderful architecture.  The chateau at Amboise is second to none, aided perhaps with its prominent position above the majestic River Loire.  I really enjoyed drawing it and remembering a lovely afternoon with Margaret, wandering around the streets of this ancient town.



A couple of days later I decided to give a similar treatment to the castle at Chinon, a few miles up the Loire, which also enjoys a commanding position above the river.  This time I added some watercolour - not sure it was a good thing, but there it is.


That year we were staying in a pretty village called Montrichard which was also full of beautiful perspectives with a small castle of its own.


I probably overdid the hatching marks on this one but its too late to do anything about it now.  Lesson learned for the future!